I Left You a Damn Near Perfect World Do Not Screw It Up Art Buchwald

(50–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sunday/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you lot've ever taken an art history class or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. Equally with other subjects, near of what we larn nearly art history today notwithstanding centers on white men from Europe and, later, the Usa. In reality, at that place are so many more artists of all genders to acquire from and appreciate.

Here, we're specifically taking a look at simply some of the women who have had lasting impacts on their art forms. From some of the art globe'due south most iconic pioneers to its well-nigh unsung heroes, these women artists all had a hand — and, in some cases, nonetheless accept a paw — in changing the world of fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Eatables

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than 30 years. Later studying the work of painters like Cézanne and Monet while away, she returned to the United states of america, condign best known for her portraits of prominent Blackness Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Film Stills (1977–80). series. Photos Courtesy: Museum of Mod Art (MoMA)

Lensman Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her serial of Untitled Motion picture Stills (1977–fourscore) — self-portraits in which Sherman "posed in the guises of various generic female film characters, amongst them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A still from the operation Cut Piece, 1964, and a film of the installation Half-A-Room, 1967, as seen at the Museum of Modern Fine art in New York Urban center in 2015. Photos Courtesy: Museum of Mod Fine art (MoMA)

Yous might starting time call up of Yoko Ono every bit a musician and activist, merely she'due south likewise an accomplished performance and conceptual artist. Ono was considered a pioneer in the functioning fine art motility, earning the nickname the "High Priestess of the Happening".

Ane of her about revered works, Cutting Piece, was a performance she commencement staged in Nippon; Ono sat on phase in a nice suit and placed scissors in front of her, and, in an act of daring vulnerability, invited audience members to come on stage and cut away pieces of her clothing. "Fine art is like breathing for me," Ono has said. "If I don't do it, I start to asphyxiate."

Betye Saar

Betye Saar's Black Daughter's Window, 1969 (total and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Before condign a printmaker and activist, Betye Saar studied blueprint and was employed equally a social worker. A printmaking elective changed her entire career trajectory — and, in plow, part of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can get the viewer to look at a work of art, then y'all might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in United mexican states. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It'southward rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is all-time known for exploring themes like death and identity through her self-portraits. Kahlo frequently used assuming, vivid colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs within the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very immature age, but she'due south also known for her hyper-real sculptures, polka dots, installations, and so much more than. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms serial, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo past Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, oft doing everyday activities — something that became more than common in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald'southward work — and her signature grayscale skin tones — equally she was the showtime Black woman to complete a presidential portrait for the Smithsonian'southward National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Series Red With Xanthous in Albuquerque, New United mexican states. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico'due south landscapes, flowers, skulls, and, merely maybe, the skyscrapers of New York City. In the 1920s, she was the first woman painter to gain the respect of the New York art globe, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Panthera leo for best artist in Okwui Enwezor'due south biennial exhibition All the Globe's Futures, role of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York Metropolis. She used her piece of work to question society, identity, and racial politics by demanding the audience to confront truths about themselves. She oftentimes challenged people on the streets of New York to judge her race, socio-economic grade, and gender — all while dressed every bit a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her apparel.

Shirin Neshat

Shirin Neshat'due south poses in front of a photo in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — earlier the Islamic republic of iran Islamic Revolution took identify. She is best known for her photography, film, and video work, much of which explores the relationship betwixt Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front end of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on ad billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on various concepts, such equally trauma, knowledge, and promise. One of her more notable works, I Aroma You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'south Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore'south art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the first Indigenous woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider above — which were inspired by her ain experiences and memories. Throughout her career, she created revolutionary works during a time when brainchild and conceptual art were the main styles shaping the art earth.

Mickalene Thomas

Mickalene Thomas' A Trivial Gustatory modality Outside of Honey, 2007. Photograph Courtesy: Brooklyn Museum

Heavily influenced by pop culture and pop art, Mickalene Thomas ofttimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody ability and femininity.

Judy Chicago

Judy Chicago'southward seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was ane of the major figures within the early Feminist Art movement. As exemplified in her iconic work The Dinner Party, her installation pieces ofttimes examine the role of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the outset feminist art program in the United States.

Augusta Savage

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Athenaeum of American Art/Wikimedia Commons

Augusta Roughshod was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, often of Blackness folks, Brutal founded the Savage Studio of Arts and crafts in Harlem in 1932, and, a few years after, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Modern Art (MoMA)

Known for her provocative operation art practices, Carolee Schneemann is considered the progenitor of "body fine art". (Just look upward her well-nigh famous work, Interior Whorl, and y'all'll see what we hateful.) She used her body to examine women'south sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photograph Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'due south work challenges traditional ability relations. In addition to documenting New York Metropolis'south queer subculture post-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) past Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this expect like an Andy Warhol to you? Well, that's the idea! Elaine Sturtevant, who went by her final name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-correct copies of large-proper noun artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. All the same, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of art culture.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based creative person, Asawa's last public commission was the Garden of Remembrance at San Francisco Country University, which was created to recognize Japanese Americans who were interned during World War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photograph Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and mural photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing then, displays various subcultures in formal portraits — but in a way that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and banana professor who won an Bear on Award at the Indiecade Festival in 2020 and the Artistic Laurels from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and fine art to address global issues such as racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstruse Expressionist painter who as well specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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